The Weimar Republic was struggling with lots of political problems, so it had to approve the culture seriously, if it did not extremity it to be forgotten by their own society. The most productive city in humanities and sciences in the 1920s was Berlin - the capital of the Republic. At this time German artists made important cultural contributions in making mod movies. American movies became popular in Germany because the stories were simple, in that location were lots of actions, obvious humor and stars playing the main roles. The Germans didnt want to be worse so they were inventing new ways of shooting the movies. During the 1920s the Germans had unaccompanied two types of movies: realistic and psychological or idle and mystical. The earlier ones, mostly were random stories full of love and fights, that had always a happy ending. The other one exposed to the new German intellectual currents of Freud and Weber. Psychological movies were set in middle breakdown p resent, they were all ab let out the feelings and thoughts of the characters. But to a greater extent successful were the fantastic and mystical movies. Actors were always dressing up as monsters -as they didnt begin the technology we having today- haunting beautiful princesses, or there were zombies coming out of the graves and walking into the city.
Dark and mysterious, excessively contained some part of the political events just like angler Eisners The haunted screen (...)The revitalisation of fantasy after a rotation that failed was the reaction of a cultural minority to their exclusion from the soma of historical events. It was the conceptualisation of a frustrated desire for change, sort of than resistance. The German! tongueless cinema, despite its commercial elements, remained an alternative cinema. It appropriated the codes of government agency and conflict in which a society recognizes its moral and psychological... If you want to get a full essay, order it on our website: OrderEssay.net
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